Department, Soundwaves

Cowboys and Hobbits and Drums! Oh, yeah!

12 Comments 29 March 2010

Sea Bell stalks its unsuspecting audience. FRONT ROW: Aubrey Ament, Leslie Robert, Emily Jacob, Madi Becker BACK ROW: Devin Brown, Stephen Moore, Daniel McIntire

Story by Ailin Darling
Photo by Nick Cote

By the time local Eugene band Sea Bell finishes setting up for a show, clarinets and trombones have been tuned; banjos, guitars, ukuleles, and an enormous drum of marching-band caliber rest against the walls. The band, a troupe of bearded men and wild-haired women, faces painted, squeeze on stage decked out in feathers and buck-skin fringe. One or two jingle tambourines, and with a dull clang, a young man in brown cut-off shorts adds two pots to his collection of percussion tools. As they take their positions behind the bizarre assortment of instruments, the audience knows they’re in for something big — and, quite possibly, a little strange.

VIDEO: 2010 Bandest of the Bands

Two beats after Leslie Robert begins to sing, the music starts up. The rhythm is funky with a hint of folk. The vocalists erupt into a harmony-rich, slightly haunting chorus filled with soulful “ohs” and “whoas.” The audience has gotten its first glimpse of Sea Bell’s eclectic enchantment, and I think they like it.

“We like to call that ‘sad circus,’” Leslie tells me when I ask about their melancholy sound. The band admittedly has a fondness for writing songs in minor keys. “Sometimes I feel like I’m doing it wrong if it’s not in minor,” adds drummer, banjo, and guitar player Madi Becker. Her comment is met with laughter. Offstage, the groups jokes and teases each other like family. Long before Sea Bell rocked its first show, University of Oregon students Madi and Leslie began making music together in their dorm rooms. “[We] started writing these songs, and we didn’t want to take ourselves too seriously” Madi says. “So the first songs were about Sam and Frodo [from Tolkien’s The Lord of the Rings] ordering Chinese food.”

VIDEO: Sea Bell

When singer and guitarist Devin Brown learned of their musical exploits, he decided to join in. Their recreational jam sessions slowly evolved into a full-blown musical act as Madi, Leslie, and Devin invited several talented friends from their hometown of Canby to play along. “Eventually, we started growing more and more,” Devin recalls. The three founding members gradually added singer Emily Jacob, singer and pianist Aubrey Ament, trombonist Daniel McIntire, bassist Stephen Moore, and electric guitarist and clarinet player Tyler Hart, in search of a “full sound.” Finally, the band found guitarist Kyle Martin by posting an ad on Craigslist, “which is kind of sketchy” interjects Devin, “but it turned out to be the greatest thing ever. Now he’s a good friend of ours.”

With so many members (they have even more friends who appear as guests every once in a while), the band is a crowd. “Fitting on stages has been hard,” Madi says. “We played a show once where we had the horns sit on a wall above everybody else. It’s always a question when we go somewhere new: ‘Alright, are we all going to fit?’”

And it was a tight fit for the group on stage at Ethos’ recent Bandest of the Bands event (sponsored by Ninkasi Brewing and the University of Oregon Cultural Forum); only half of them could be seen from the audience at once. However, rather than hindering their presence, musicians who appeared as if from nowhere along with the sound of unexpected instruments seemed to raise their “awe” factor. The atmosphere cast by the vocal twang, roaring trombone, and steady, thumping drumbeat of Sea Bell’s music, challenged the typical experience of rock and roll. The crowd was rowdy, sure, but in place of a chaotic mosh pit, a ring of people with interlocked arms danced around Kyle, who, by the end of the show, had leapt from the stage and tossed his feathered headdress to a member of the crowd. His enormous drum was held high in the air by an ecstatic fan as he beat it with brutal force. At the end of the competition, the crowd’s ecstatic cheers secured Sea Bell’s victory, which was ultimately based on a combination of crowd response and judges scores. The group has once or twice been larger than its audience, but the band has tweaked its composing method to make sure their sound is never muddled or over the top. “Our initial viewpoint on it was [to have] anybody play whatever [they] wanted to play all at the same time” Devin says. “We’ve been working more and more on trying to minimize it, but also have everyone still play something.” On some numbers, members lay aside their heavier instruments to pick up a ukulele, melodia, or tambourine. The band has also been experimenting with a range of percussion instruments. “Percussion is something you can add that doesn’t sound as layered,” Leslie says. “[It] just adds a little bit of friskiness.” Daniel’s upturned pots, for example, also add to the band’s rollicking theatrics.

However, when the band chose its name, inspiration came not from Western American lore, but from The Complete Guide to Middle Earth, an encyclopedia of JRR Tolkien’s fictional realm. The Sea Bell is a poem written by Tolkien through the eyes of his hobbit protagonist Frodo Baggins. “And then we just made it our name. We said ‘that’s going to be us.’”

The Tolkien references do not end there. “Every song we have has an alternate Lord of the Rings name,” Madi says. “Our first song was called ‘Sam and Frodo’s Night Out.’” The second was “Mordor is a Bitch.” Even the western-themed “Rainy Boys” is also called “Burned down the Shire.” “That would definitely be our influence,” Leslie says, pointing to herself and Madi, who began the infatuation of with Lord of the Rings-themed songs. Devin wryly shakes his head. “[I] did not like it.” Instead of hobbits, Devin uses elements of his favorite western miniseries, Lonesome Dove, to create songs of a genre the band calls “epic rock western.”

Since “getting serious” last summer, Sea Bell has cleaned up their MySpace page, recorded three songs in Madi’s barn, played any gig they can get, and made tons of costumes. These days, they are recognized by local fans and their performance videos on YouTube are constantly flooded with comments. In terms of the future, the members, although numerous, all seem to share a common goal. “Play as much music together as possible,” Devin says. Sea Bell’s objective is the same as it was back in those dorm room days. And at its core is the celebration of each other’s camaraderie and talent. “It just feels really healthy,” Madi says. “It’s a great incentive to keep writing and learning and playing and being friends.”

Learn more here about the controversy surrounding Sea Bell’s Bandest of the Bands wardrobe. Plus don’t miss our profile on second place winner, local band On the Tundra.

Your Comments

12 Comments so far

  1. Keith says:

    Although their performance at the Bandest of the Bands was quite good, I couldn’t help but be thrown-off and nearly offended by the costumes and behavior of the band members. Seeing a half dozen Caucasian college kids in makeshift Native American costume and chanting stereotypically, for me, conjured the thought historical injustices and more importantly the lack of attention that has been paid to this issue even today. I understand the importance of stylizing a performance, but without making a comment either way on the issue, Sea Bell created an extrememly precarious (and somewhat uncomfortable) intellectual environment for me and other audience members. I would have liked to have seen Ethos Magazine take a stronger stance on this issue before they awarded Sea Bell first place out of a great number of qualified bands which performed awesomely without a confusing atmosphere. As a multicultural publication, Ethos ought to take more care when dealing with different cultures and intersections between them, and the socio-ethical implications of their presentaions of any form.

  2. Sea Bell Fan says:

    In response to Keith-

    I can understand maybe being offended by the choice of costume. However, to go as far as to say that Ethos should have taken a “stronger stance” on the issue does not set right with me. The Bandest of the Bands was not about what the band chose to wear during the show. I think that is what most people are forgetting. It was about the music! It was about having fun! Sea Bell played an absolutely amazing show that night and they deserved the title of Bandest of the Bands, regardless of what they were wearing. Being in the audience that night, I did not sense any sort of upsetting environment in any way. What I sensed and what I saw was a band having fun on stage trying to make a name for themselves and their supporting fans cheering them along.

  3. Keith, they’re not all caucasian kids (One guy is hispanic and I think part Native American, one is half black, and a not pictured member is asian), and it’s a little weird how their race should make a difference on how they emulate another culture. Chanting is a real part of the music of Plaines Native Americans. Is a white kid who practices kendo responsible for hiroshima, nagasaki, and japanese internment? I mean, his skin is white so it’s gotta be disrespectful to someone. Also, when you’re a poor college student sometimes all you have is the makeshift. I wouldn’t go after you on halloween if you weren’t a real astronaut or if your astronaut costume wasn’t real. Ethos should’ve kept their end of the bargain and made them the cover.

  4. Look at page 20 of ethos and tell me what you see in the picture. Ethos took away the cover from Sea Bell for their controversial portrayal of native americans but i see that there is a very clear image of THE EXACT SAME THING! I’m sorry if I seem fanatical but this is so ridiculous to me. It’s “artsy” in the context of joe and devendra banhart (http://www.smvblog.com/wildcat/wp-content/uploads/2009/04/devendrabanhartb.jpg) but for some reason Sea Bell is the band to do it for you? Ethos needs to recognize the hypocrisy of the situation and formally apologize to Sea Bell.

  5. Kevin Bronk says:

    To clarify, Sea Bell won two shows (one of the headliners for the Willamette Valley Music Festival and costarring at Ninkasi Brewing presents Volifonix and Sea this summer), live recordings, studio photography, and a write-up in the spring 2009 edition of Ethos. The cover was never part of the deal.

    We appreciate your comments, nonetheless.

    Regards,

    Kevin Bronk
    Editor in Chief, Ethos Magazine

  6. Well then I apologize for that, but I still think that by making “the controversy of sea bell” a bigger deal on the website than their profile is a backhanded compliment to the band. The second place band’s profile is easier to find on the website than the actual sea bell profile. I think it hurts the credibility of Ethos, especially when a person in another article uses the same native american imagery that Sea Bell did. (page 20) Also, the big plug to the controversy article at the end of this one shows that this magazine got more caught up with a sensationalized controversy rather than applauding talented musicians. For a student run newspaper, the grace you’ve given Sea Bell is as fair and balanced as Fox News.

  7. Aunt Karen says:

    Hey Keith, have you met Leslie Johnson? Perhaps you two should hook up. You’re both taking life way too seriously.

    Ah, to be a earnest and young again…..no thanks.

  8. Keith says:

    I guess I just wish more was being done to help eliminate racial stereotypes, native american or other. I just think that dressing up “like an indian” is counterproductive, that’s all.


Trackbacks/Pingbacks

  1. Tweets that mention Cowboys and Hobbits and Drums! Oh, yeah! | Ethos Magazine -- Topsy.com - 29. Mar, 2010

    [...] This post was mentioned on Twitter by Alison B, Cam Giblin. Cam Giblin said: Local band, and friends, "Sea Bell" got a great write up in Ethos Magazine http://ethosmagonline.com/archives/1208 [...]

  2. Downtown: Dodging Pink Balls | The Eugene Groove - 22. Jul, 2010

    [...] Special props to Ninkasi Brewery for the accompanying musical groove and introducing more of us to Sea Bell. [...]

  3. Local bands shine through the storm « between the lines - 22. Nov, 2010

    [...] Bell, well-known for their Jan. WOW Hall show, the Bandest of the Bands contest, both because they took home first place and wore slightly controversial Native American costumes, came across as the most fine-tuned and [...]

  4. album obsession: sea bell « t h a t m e r c u r y s o u n d - 12. Sep, 2011

    [...] an undeniably contagious energy. Their live prowess earned them the top spot in last year’s Bandest of the Bands competition in Eugene and put them in their rightful place as the local scene’s [...]

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